Wednesday, August 20, 2008

Into the Light World Tour

Captured during a two-night stand at a Dutch arena, this 100-minute concert special documents Gloria Estefan's lavish 1991 world tour, which underscored the Cuban-American singer's graduation from acclaim as a dance-floor diva to the ranks of female pop superstars. At its best, Into the Light World Tour displays the relentless energy, personal warmth, and crack musicianship that Estefan and her husband, producer, and principal collaborator, Emilio Estefan Jr., had evolved through her old band, the Miami Sound Machine, and taken uptown through her solo career. When the star and her band kick into high gear, percussion simmering and horns blazing in taut, deftly arranged choruses, the propulsive lure of salsa is hard to resist.

Technically, Estefan is a singer with a supple tone but modest range, hardly suggesting the caliber expected of a bona fide diva. Neither does her small, compact frame suggest a dancer's physique, despite the production's reliance on extended dance sequences. Yet she makes the most with what she has, harnessing formidable physical energy and transmitting considerable warmth to her audience. Her material, including both Miami Sound Machine hits and subsequent solo signatures, works best when staying closest to her roots, riding the giddy syncopations of uptempo Latin rhythms, or plying the lambent emotions of traditional ballads. Her exhortations to dance--"Get on Your Feet," "Conga," and "Rhythm Is Gonna Get You" being the inevitable faves--work handily with an ecstatic audience.

More grizzled viewers should be forewarned that this, like most recent concert films, isn't purely documentary--apart from backstage sequences that duly flatter the star, the live sound has been liberally sweetened during post-concert production. --Sam Sutherland
Customer Review: A great concert
I never actually saw this video. I was at the concert. The concert was awesome, so if this video does a decent job of capturing it, then it should be great too.
Customer Review: Gloria is the best and so are her concerts
Gloria is the best singer ever. On stage she's a divette. She's the best and so are her shows. The way she sings live is great, and so is her dancing. The band is great too. They know how to play and everybody goes wild in the audience!!!!!!!Always!!!!! I love her with all my heart and soul, 4 ever.....


The acoustic guitar still holds a fascination for music lovers even after all these decades of our ears being bombarded by electric guitar music. Electric guitarists love playing with the sounds they get from different tone settings, effects, the use of the different pickups and feedback. The acoustic guitar has only the tone given to it by the wood it is made from and the skill and inspiration of the guitar player. So let us take a look at some acoustic guitar solos and the guitars and guitarists who made them.

If you do not know the name Erik Mongrain, you will find some examples of his guitar playing on video sites on the internet. I came across a very nice solo called Air Tap. He was given an acoustic guitar when he was fourteen, and learnt to play it by ear. While he learnt and experimented with the guitar he discovered the technique of sitting the guitar in his lap and tapping, the strings and body to produce music. If you go looking for him on the web you will find pdf files of his music and tutorials on his techniques.

Paco de Lucia introduced the world to a new brand of flamenco in the 1970's and paved the way for a new generation of flamenco guitarists who were inspired by his passion for oriental scales and jazz influences. Entre Dos Aguas was an improvisation begun during a recording session because the LP Paco and his accompanying musicians were working on was short on material. The resulting rumba was a worldwide hit and established Paco as a force to be reckoned with well outside the boundaries of Spanish folk music. Paco sponsors his own line of flamenco guitars.

Back in the 1990's MTV decided to coax guitar hero Eric Clapton into playing some songs without the adornments provided by an electric guitar and amp. The resulting album won Grammy awards, gave Clapton's career a shot in the arm and reinvented the song Layla as an acoustic showpiece. The solo on Layla is far removed from the original theme conceived by Duane Allman which made the song a rock anthem.

In the late 1960's Mason Williams surprised himself by writing and performing an acoustic guitar solo which became a hit and remained popular for the decades since. The tune was called Classical Gas, and is striking for its simplicity and popular appeal. Classical Gas was born in an era when instrumentals such as The Lonely Surfer, A Walk In The Black Forest and Love Is Blue were standout hits for musicians who were otherwise unknown. But only Classical Gas retains the ability to make people sit up and listen.

So if you play the acoustic guitar a little and would like to learn how to play solos, you can use the world wide web to learn more about soloing techniques for acoustic guitar. One easy way to start is the clawhammer technique used in folk songs, or you could learn to improvise your own licks using the minor pentatonic or "blues" scale. If you are stuck for an idea on how to begin improvising or making up your own tunes, start with a nursery rhyme or some other popular melody, and begin adding notes to it and changing things around to produce something original.

Ricky Sharples has been playing guitar his whole life, and is presently engaged in building a blog called Learn How To Play A Guitar For Free. Ricky's blog features free tools, lessons and resources for guitarists of all ages and stages. Ricky updates the blog regularly so if you are interested in learning to play guitar there will be an enormous variety of tip, tools and tutorials for you.

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